Spuma is an architecture firm that went through a complete rebrand, from its name to its visual identity. Annexo, the agency behind the new brand, brought me in to design and build the website. The old site belonged to a brand that no longer existed, so we started from the new brandbook and the projects themselves. The result is editorial and minimal, with a living color system: each page carries its own accent, and the team picks a color for every new project in the CMS. Clean animations and a few precise interactions keep it quiet, like Spuma’s architecture, so the work can lead.

Myhood is a Brazilian startup that helps creators and publishers monetize user-generated content. They came to me in a fast-growth stage, with a site that no longer matched the company they had become. The new site had to speak to two audiences at once: the clients using their platform and the investors watching it grow. We built it around Gen Z and vertical video, with bold motion and 3D graphics that hold attention the way their audience expects. Later, I added a CMS with tags that lets the team spotlight and reward their best-performing creators, so the site grows with their community.

Methodo is a marketing consultancy that grounds its work in science and evidence, while taking real care with how everything looks. They had just rebranded in-house, and their site still carried the old identity. With a tight deadline, my job was to step into the new visual universe and turn it into a story told through scroll. The pages unfold in sequence, with sections that animate and reveal as you move, so the narrative carries the same rigor and craft as their work.

Wev Silva is a creative and film director who spent 13 years in Paris and now works between Paris and São Paulo. His work spans brands like UNESCO, Canal+, Amazon Prime and Paris Saint-Germain, but his portfolio lived on a generic Adobe Portfolio page. The structure stays simple so the films lead, while the details carry the character: a custom shutter effect in the hero, a custom cursor, and a CMS that holds his full body of work and grows with every new film.